For the first 100 pages or so, this book was a literary Krispy Kreme doughnut: utterly devoid of nutritional value, but glazed in pure happiness. And then, like the best junk food, my joy immediately turned into regret, and my proverbial teeth felt like they were rotting out of my skull. Act Like It is about a man (Richard) and woman (Lainie) who star in stage production in London. He’s a celebrated actor (emphasis on the last syllable), she’s a budding young star. He’s a […]
To suffer is as human as to breathe.
Any time that there’s new Harry Potter, I become about 15 years younger, and squeeeeeeeeeee. So, of course, new Potter, and I’m there. Full disclosure, I work in theater. Large-scale theater. Big shows. This show is in my work realm. So reading new Potter, but in script form, it was hard to turn off my work brain. “Is that a quickchange?” “need more details about that prop” “are they going to eat that, or can it be glue?” etc. These are the notes that I […]
Who Is The Cursed Child?
I couldn’t be happier to hit my cannonball with this book. Well, play/book. I am Harry Potter’s age. The character was born in the same year I was, and even though I was not the target audience of the books (I didn’t start reading them until I was in college), I adore them. I love the world Ms. Rowling has created, and I was so excited to read this latest story in that world. When the sixth book came out, I went to a book […]
Music Directing: Start at the Very Beginning, a Very Good Place to Start
The Musical Director’s Handbook by Stuart Morley is a very specific style of book to read for Cannonball Read 8. I work as a music director for educational theater programs throughout the year and have started to feel like my teaching style has flatlined. I’m dedicating the beginning of the year to reading various books on music directing, vocal training, directing, music, and theater to try and improve my skills. This book is the most directly connected to the kind of work I do and […]