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A disappointing crossover with Fables.

January 14, 2016 by narfna 4 Comments

unwritten fablesOkay, first of all, what the hell has been going on in Fables while I’ve been away? Shit is MESSED UP. Second of all, this was way more of a Fables story than it was an Unwritten story, and it was a clunky Fables story at that.

I haven’t checked in with Fables in years, and the last one I read was Vol. 6, Homelands. That ended in a very, very different place than this one began in, but it’s not hard to get into the groove of what’s going on. In fact, they go out of their way to make sure you know what’s going on, exposition so expositiony it’s even called out by the characters. That call-out is meant to make it okay, hang on a lamp on it if you will, but it’s still awkward and I don’t think it worked very well. I also found all of the Fables characters to be uninteresting in the context of this story. I was reading The Unwritten, and I wanted The Unwritten, but what I got was mostly under-cooked, confusing Fables.

The premise of the whole shebang is that in the midst of trying to get to the source of all story, Tom is pulled into the Fables world by magic, where the last of the surviving Fables are holding off against Mister Dark, who has enslaved the world, corrupted and married Snow White (and her children) and holds Bigby Wolf captive. Many of the Fables are dead, and more die with every encounter. They cast a spell to pull a powerful wizard in to their world, one who can save them all. What they get is Tom, and they are very disappointed by him. Frau Totenkinder pulls Sue and Peter in as well, and suddenly Tom is Tommy. Things don’t go very well, and it’s not actually very fun to read about even when it is working as a story.

But aside from the clunky dialogue, exposition, and the way the worlds and tones of the stories just fit poorly together, the whole thing is moot anyway, because the book ends with Tommy (view spoiler) (Also, Buckingham’s art suffered in comparison to Peter Gross’s, especially where The Unwritten characters were concerned.) The only thing we learn is that everything, all story worlds, exist in Leviathan. Including maybe our own.

I wasn’t as disappointed by this as some people were, but it’s by far the worst book of the series. It was a good idea in theory to put two stories about stories together, but it didn’t work very well in execution.

Filed Under: Fantasy Tagged With: Bill Willingham, Comics, crossover, Fables, fantasy, Mark Buckingham, meta, Mike Carey, narfna, Peter Gross, The Unwritten, the unwritten fables, Vertigo, vol. 9

About narfna

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Good evening, everyone. I'm Leslie Monster, and this is Nightline. View narfna's reviews»

Comments

  1. Malin says

    January 17, 2016 at 3:47 pm

    Is it possible to skip this volume and still get what is going on? Because I have heard nothing but fairly negative stuff about this crossover, and stopped reading Fables with volume 10 and have absolutely no need or desire to go back and read the rest. So can I skip this whole stupid crossover and move on to the next volume, or will that mean I don’t have the full story of Unwritten?

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    • narfna says

      January 17, 2016 at 3:55 pm

      Yes, you can skip it. The only thing you need to know is that it’s heavily implied that ALL worlds exist within Leviathan, even ours, and that character archetypes mirror each other across story worlds. The rest of it is non-consequential.

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      • Malin says

        January 17, 2016 at 3:58 pm

        Awesome, thanks for that. Although having actually gone and checked my comics shelf, it appears that the husband has bought the Fables volume as well when he got the last volumes in the series, so I may skim read it – we already spent money on completing the collection. I still need to do a re-read up to the Orpheus volume and then I can read the last ones.

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        • narfna says

          January 17, 2016 at 4:01 pm

          Sounds like a good plan to me!

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