Twin brothers, orphaned at seven, Albert and Edward Alcott were sent to be raised by a family friend, the Marquess of Marsden at Havisham Hall. Insane with grief after losing his wife, Marsden wasn’t exactly the best person to raise his own son and three orphaned boys (the third being the Duke of Ashebury, hero of the first book in the series). As the boys grew up, roaming free, they became collectively known as the Hellions of Havisham.
Then Albert, the elder by a few minutes and therefore the Earl of Greyling, wanted to give up his wild ways and fell in love with Lady Julia Kenney. Edward resented the way this woman seemed to be stealing his brother away, and one fateful evening, pretending to be his identical twin, he kissed her the garden at a ball. Only after their passionate kiss does Edward reveal his identity, leading to Julia loathing him utterly, even after she marries his brother.
On one last adventure together on safari in Africa, Albert is mortally wounded, and his last words to Edward are: “Be me!” Julia, having miscarried multiple times, is pregnant with what they hope is the heir to the earldom and has managed to stay pregnant for nearly seven months already. Albert is worried the shock of his death will make her lose this baby too, and therefore persuades his twin with his dying breath to pretend to be him, until the baby is safely delivered. Edward is to pretend that it was in fact HE who died in Africa, while taking care of his sister in law until she gives birth. While this is an absolutely moronic plan, he agrees, because he loves his brother, and let’s face it, has some pretty strong feelings about Julia too, and not just in the pants region. Initially, he tries to stay away from her as much as possible, using grief as an excuse. But when Julia starts questioning why her husband has become so distant, he needs to become more affectionate so as to not give the game away.
His friends, who always knew the twins better than anyone else, uncover his charade at the funeral but reluctantly agree to keep the secret for the sake of Julia and Albert’s child. They strongly warn Edward against getting too close to Julia, though, or in any way taking advantage of her. She’d figure out that something was wrong if her husband never even kissed her, though, right? While thankfully, sex is out of the question, to protect the baby, there is definitely some pretty passionate kissing and fondling and I have to admit I was pretty uncomfortable during this section. Then of course, the baby is born, and it’s not a boy, like Albert and Julia were convinced it was going to be. So Edward is in fact the Earl now and needs to tell Julia the truth. Will she hate him forever?
Full review here.
I don’t understand why she didn’t just give herself an easy out and make it so that she and the dead husband weren’t that close. It’s sooo hard to believe that if she knew him well she wouldn’t be able to catch on.
P.S. Your review has only made me want to read this more.
I was super curious since reading the plot description and it’s not a bad book. Not great by any means, but you are unlikely to regret the hours you spend reading it. Also, I learned some new stuff with the solution to their whole “forbidden to marry” situation – that’s always cool.
I think this cover could easily get an A grade (or at least a B+). The white rose works, since one of the meanings of white roses is everlasting love, so not out of place for the grieving. And while that neckline is low for Victorian, (but not so far off as you might think http://omgthatdress.tumblr.com/post/139196018455/robe-%C3%A0-transformation-1865-the-metropolitan-museum) its all together not terrible.
Oh, I like this cover. I HATED the cover for Cold-Hearted Rake for many reasons.
This sounds a little out there for my tastes. And icky. But maybe when the pickings are slim, and it’s available from my library…
I suspect this is going to be a pretty devisive book. I wouldn’t seek it out on purpose, but I don’t regret reading it, either.