Dear Ms Kleypas, I have concerns.

After being less than won over by the first book in the Wallflowers series by Lisa Kleypas, I decided the thing to do was to keep going. I figured out later that my real issue was with the secondary plot line and have warmed to the style of Kleypas’ writing in the intervening weeks. In the Wallflowers series, Kleypas tracks the lives and loves of four women passed over by the eligible men of the ton and the friendship they develop along the way.

Book two, It Happened One Autumn features American dollar princess Lillian Bowman and the extremely eligible Marcus Marsden, Lord Westcliff. We met both characters in the first installment, Secrets of a Summer Night, Westcliff is best friend and business partner of the swoon worthy Simon Hunt. Westcliff’s protector personality and the adaptability of his character, while still being loyal to tradition, are made clear at the end of that book and I found myself quite taken with the character who is constrained by his title and position, and appears to be content with who he is, even if he knows he doesn’t always come up to the mark against his friends Simon and Sebastian (more on him later). Lillian comes from new money, and in the social landscape of the United States in the 1840s, it was at times difficult to marry off these women, as neither social strata wanted them. Using that, and adding some truly hideous previous behavior on Lillian’s part, Kleypas weaves in the recognizable history I appreciate in these, and gives us a clear picture of the characters we are dealing with, while simultaneously setting them up as diametrically opposed (although I really didn’t need to hear one more time how Marcus was the heir of the oldest noble line in all of England blah blah blah).

For the first half of the book, another house party at Westcliff’s estate, we the reader are supposed to be enamored of free-spirit Lillian’s take on life and how it keeps running at odds with Westcliff’s propriety and be won over by the chemistry they can’t seem to ignore, even though they can’t stand each other.

I was bored.

Boredom is a grave sin in nearly any genre, but it is particularly terrible in romantical fluff books. The set up was good… it was just reminiscent of the previous book in the series. Kleypas writes the hell out of her scenes and her characters, and as Mrs. Julien says “not-fantastic Kleypas is still very damn good”, but I definitely felt as though I was treading water. There were fantastic scenes in there… they just weren’t nearly close enough together to keep the tediousness at bay.

My other complaint is how evil our next hero was made.

Enter Sebastian, Lord St. Vincent. A new character introduced at the beginning of the book and set up as Marcus’ rival for Lillian’s affections. He is in need of the money she brings to the marriage mart, and infamous rake that he is, the proper families likely won’t have him. Lillian seems to fit the bill, and she’s available, until Marcus makes his move (and it’s a good move).  If Kleypas had left it here, with the rake as legitimate competition for our heroine’s hand, and then let that play out as it did and leave him without the money he needed I would have been fine. I would even have been on board with *SPOILERS* Marcus’ mother orchestrating Lillian’s kidnapping and attempting to loop Sebastian in, and Sebastian not doing anything to help Lillian escape. *END SPOILERS* But with the lengths the last quarter of the book goes to in order to villainize Sebastian, I have epic Romance Trope Concerns. I adore a reforming a rake storyline (although Wounded Hero is really more my cup of tea), but Sebastian was already established as a rake… I don’t know that I needed more, and it’s never a good sign when you are editing a book in your head as you read it.

The next book, with Evie and Sebastian is universally loved (I think) around the Cannonball – I remain cautiously optimistic, but the two drawbacks combined on It Happened One Autumn keep this at three stars.