She Was Mostly Immensely Relieved to Think That Virtually Everything That Anybody Had Ever Told Her Was Wrong

All glory to Douglas Adams for the review title.

This is an almost 4 star book.

Mary Balogh writes reliable romance about sensible and somewhat damaged people finding each other. The first in her new Westcott series, Someone to Love, wasn’t as strong as it could be, but Someone to Hold featured excellent and interesting character development. I don’t pre-order Balogh’s books or run to the library to get a look at a new release, but I am rarely let down by her writing. It sounds like I’m damning with faint praise, but I don’t mean to. When I buy a Balogh, I read a writer who knows her business.

The conceit of the Westcott Novels is a familiar one in romance. A family’s fortunes are changed by the death of a relative and the revelation of deceit.  The lives of everyone in the series are upended and quite suddenly someone who never anticipated possessing power or wealth is thrust into a new role and life. The series starts with the chief beneficiary of a gormless and absent father when Anna, in Someone to Love, finds herself lifted from the role of orphanage school teacher to duchess. Someone to Hold follows the no-longer-legitimate sister whose life is forever transformed by losing her birthright and fortune.

Virtually everything Camille thinks she knows about herself has been proven a lie, including her name, future, and sense of self. Lost and confused, she turns away from her family to create a new life and to try to understand who she truly is. That Camille is not always likeable is the main strength of Balogh’s latest romance and, with time, the reader comes to like and care for her. Moving into Anna’s old role as a teacher, she shields her insecurities and fear with a haughty manner learned from years of trying to be the perfect lady for her distant father.  What she discovers about herself allows her to move forward and, to steal a line from Douglas Adams, “She was mostly immensely relieved to think that virtually everything that anybody had ever told her was wrong.”

An unintended companion in Camille’s exile is the man who Anna Westcott left behind, Joel Cunningham. Raised in the orphanage, he is building a career for himself as a local portrait artist and still teaches art at the school a couple of afternoons each week. He doesn’t know what to make of the prickly and defensive Camille, but he is drawn to her nonetheless, and the two find often themselves having conversations and little adventures neither had planned. He’s a good man working towards success and financial independence. She’s an independent woman working towards her own goodness.

As I state in every Balogh book review, if her publishers set a lower price for her works, I would have snapped up a lot more of them by now. In the meantime, I get by on surprise sales, Someone to Hold was $1.99, library loans, and the occasional full price impulse purchase. That last item is what I am holding strong against for the next book in the series, Someone to Wed, but I have no doubt I will read it eventually.

A complete summary of Mary Balogh’s catalogue, with recommendations, can be found here. Links to my other reviews can be found on my complete reading list of books sorted by author or Author Commentary & The Tallies Shameful which includes the aforementioned observations.