I’ve finally made my way to reviewing our #CannonBookClub selection, Kindred. Did I ever tell you all how happy I was that this was the one we chose? Not that I wouldn’t have happily read any of our options, but Kindred has been lurking on my to read list a long time and it fulfills two of this year’s Read Harder Challenge tasks (read a genre fiction classic, read a sci-fi novel with a female protagonist by a female author).
My review is probably going to be a bit disjointed, as I wander through my thoughts and our book club discussion questions. As I mention above, the fact that this book is categorized as science fiction works in my favor, but it never *felt* like science fiction to me. Sometimes I wonder if I have a firm grasp on the definition of the genre itself, or if Octavia Butler’s very obvious care at historical accuracy kept the science fiction of it all out of my main view. But I do know that I am not alone, Kindred gets name dropped in a Tor.com article from last year discussing whether or not time travel stories are science fiction or fantasy.
I was won over by this novel almost immediately. Dana had such a unique voice, that even before the time travelling really got underway I was invested in her. Butler also does great things with emotions in the book. Dana and Rufus’s connection, Kevin being trapped in the past without Dana created dread that pushed my reading along. I read the book in two sittings. But perhaps the most important emotional cores of the book is Alice and Dana’s tumultuous, intertwined relationship but the simplicity and clarity of the understanding that Carrie brought to her world and her relationships pulled at me the most. Carrie’s appraisal of those around her, and her ability to communicate it (especially with Nigel) brought the later chapters of the novel home for me in a way I don’t know that I can describe. So much is happening so quickly, Alice is suffering so greatly, and Carrie has become in her own way the center of the storm.
But if Carrie is the calm center, then Alice is the raging storm front. I always took it on face value that because Dana’s time travel was sparked by grave danger (her own or Rufus’s) that she was being yanked through time to maintain a timeline, as she saw it to make sure her ancestor was born. What we witness is the destruction of one soul, in order to birth another, to preserve a third. Every single choice, experience, and sacrifice carries the weight of each of them. It is heady, and causes the reader to have to side with what we know will be the destruction of Alice at Rufus’s hands. We know, implicitly, that there is no happy ending for her, but we don’t necessarily know just what her end will be, or for that matter, Rufus’s own. Butler asks her reader to consider: was it worth it? Was their suffering worth Dana’s life? Or is it simply what was?
I still don’t know, 10 days after our book club, the answers to my own queries about Octavia Butler’s work. But I do know that it’s the sign of a five star book for me when I am continuing to chew on the book days and weeks later.
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