Because the hardboiled genre has become so mainstream, many forget it has its roots in anti-establishmentarianism. Dashiell Hammett’s Red Harvest is on some level a mea culpa for his time as a strike-busting Pinkerton agent. Raymond Chandler’s Marlowe frequently made an enemy of the local police, whom he never trusted. His last short story functioned as a screed against the American healthcare system. Gary Phillips’ The Underbelly may be seen as a unique take on the genre: a homeless PI maneuvering through the impoverished of LA trying to unravel the conspiracy […]