The Vanishing of Katharina Linden is a whimsical mystery with a creepy underbent. It balances a scary proposition — little girls going missing in a small German town where everyone knows each other — with the idealistic naivete of its 10 year old protagonist, who understands on one level that the girls who go missing are her classmates, near and around her age, but doesn’t make the connection that she may herself be in a particular danger. It’s this dramatic irony that propels the story, […]
Awful people are fascinating people
In TV crime procedurals, the first part of the obvious formula includes the introduction of a red herring character, someone who is too obvious, and the detectives will waste a bunch of time trying to stick that person to the wall before finding a breakthrough that leads them to the actual suspect. Gillian Flynn’s version of this is that EVERYONE is obvious. All of the characters have the means and the disposition to have done it, if not the exact motive, but who needs motive when […]
“What is the world coming to, with these modern women? A man can’t tell them what to do.”
So far, I’m enjoying the ludicrously named Stud Club trilogy, but at the same time I can tell that they are earlier works from an author whose later titles, I feel, are more indicative of her talent. The second entry into the trilogy follows the VERY tortured Rhys St. Maur, Lord Ashworth, a war hero and broody dude who is a closet romantic and wants nothing more than to start over and create, rather than destroy, back at his ancestral home. His love interest is Meredith Maddox, […]
Frustrating and lovely and decidedly different.
As a very new reader to romance, the books I’ve picked up have tended to be fairly new, as in published within the last 5-10 years, and decidedly feminist or progressive in their mentality. Even if they’re not openly advocating for women’s rights or chiding the customs that disadvantage(d) women, the stories I’ve loved have mostly had a bent of “they’re awesome but overlooked because of social/cultural reasons.” Enter Flowers from the Storm, which is more than twenty years old and not un-feminist or non-progressive, but it comes […]